Online Exclusives

12.19.03
From A Story
The man is in the backyard, quoting to the stars a secret
only his heart knows, smiling at the moon first, and then  [...]
11.10.03
The Museum of Small Things
I’m telling you this because you don’t remember. [...]
10.18.03
From The Rooms Where We Are
The room where I’m
kept is all        glass. [...]
09.18.03
From Everything and More
Here is a quotation from G. K. Chesterton: “Poets do not go mad; but chess players do. Mathematicians go mad, and cashiers; but creative artists very seldom. [...]
09.01.03
The Last Hand
Before me lies a man. Perhaps handsome once, time has flattened his features, eroded the tightness of character—a creased brow, a drooped nose. [...]
08.20.03
The Sangreal
These things without nature, proper nature that is, of a terrestrial kind. Devoid of the essential forepart. But with wings. [...]
08.09.03
Three Poems from The Black Heralds
by César Vallejo
translated by Rebecca Seiferle
    There’s the desire to return, to love, to not be absent,
and the desire to die, fought by two
opposing waters that are never to be an isthmus. [...]
08.04.03
From Pirate Talk, or, Mermalade
Ma, there’s rope in my soup.
      Eat it or you can’t watch the hanging. [...]
06.09.03
January
In January, during the deepest part of winter, after two years of pleading on my part not to mention numerous gifts and blandishments and increasingly lucrative proposals, she once again agreed to be photographed. [...]
05.10.03
From The Lichtenberg Figures
When a longing exceeds its object, a suburb is founded.
Goatsuckers spar in the linden. The redskins are hunted. [...]
03.22.03
The Prince of Bees
There was nothing left for me after that but the beach—the grey afternoon—bells of cable cars over the lyme grass and a field of desiccated husks sprawling along the dunes. I was nineteen—or—twenty—as I have said, again and again—and will continue to say—fully-clothed and shivering over the sand in delicate measured steps. [...]
02.12.03
The Judge’s Wife
There’s a tower the lake calls Brother.
She whispers, someone has lost a white dress
in my eye that swims like nightfish.
[...]
01.25.03
Three Poems
In prehistoric times there was balance.
Bedrooms were charming and restful
animals would travel for miles
to be blinded by the beauty of the dawn. [...]

Connect

e-mail
Submissions

In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.