Online Exclusives

12.01.02
Baba Ganesh, Ubiquitous Authority (from the Books of Ubar)
We divide the rectangular glass terrarium diagonally across the bottom, into triangular halves of clay and sand. [...]
10.08.02
Drafts, Updrafts, and the Physiognomy of Air
This might have been a story about Vincent van Gogh. Might have been, I say, because most of it takes place within that very asylum where the “Mad Dutchman”—as he was remembered by the local population until recently—spent the last full year of his life. [...]
09.08.02
Certain Hazards of Living without the Assumption of Timing
Being and changing are almost one and the same thing
Not changing and not coming into the crisis is almost one and the same thing with not living
Being and living are not the same [...]
08.30.02
Three Poems
    Aunt sleeps on, neglecting our selves; her rustic
devils furnish us with sorrow. [...]
08.23.02
Two Stories
“I completely forgot” is twice as true as “I don’t remember that.” “It hurts” is as often untrue as “I don’t know.” Opinions are less often lies than facts. [...]
08.16.02
The American Green Machine
Good morning, CLARENCE T. FORDHAM, please do not be alarmed, because I can imagine what you are contemplating right now as you struggle to attain consciousness and the answer is no [...]
08.09.02
Three Poems
Silent trees are failure and fault

Half the creatures come when called, half tilt away [...]
06.28.02
From Dear Laird Hunt, Author of The Impossibly
Cold has descended on the county. By week’s end, we expect a hard frost.  [...]
06.05.02
Shelburne Falls
A hand in a crevice, the tongue at rest in the mouth,
and also,
the pressure of one body against another: summer, waxed and honeyed. [...]
05.30.02
All Winter Long the Girls Smoked Tobacco Leaves
Up in the hills the talk was of the men all disappeared and presumed dead. [...]
04.10.02
DAU AL SET
If only we could plunder rumors kept well-guarded.

But are you there and are we troubling you?

The stars suffused with aspects no one can discern. [...]
04.03.02
Three Poems
Song after a song after story
one of the stories which end in stumps or falsely
which are made up of poses of positions and transpositions
of positions [...]
03.19.02
The Sound Gun
We are dragging it by hand now. The engine gave out days ago in a ravine two kilometers south of the parallel. [...]
03.01.02
Vague Swimmers
Thank you for saying pathos instead of pathetic, keeping us the same size as before. [...]
01.19.02
Disintegration: Poem for Eva Hesse
Compulsive winding, bandaging 
or what am I worth 
and also why don’t you leave me alone when I am doing these things? [...]
01.17.02
Three Poems
He’s sleeplessness pulled through
a sieve, snake branch beliefs
dangle from, overgrown
with flourishing abjections.  [...]
01.06.02
Reverse Song
not because there is a road
and a woman walking,
nor the trees lining this road,
the light at half mast [...]

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.