Online Exclusives

12.12.99
Matter Has Been Blown off the Surface of this V   i   s   i   b   le Star
In my collection of gluons whose color adds up
to white:

a time the universe

was the size of a darkening
string [...]
12.07.99
Horses
by Michael Eastman
introduction by William H. Gass
Everything swims up into its eyes. Its agility, its strength, its swiftness: These qualities soften though they do not lessen as they rise. [...]
11.26.99
Canaan
The news is always of rapture

A plume of dust, the raking of ashes [...]
11.10.99
The Lightning Field (V)
Your mind unkinks itself like carded wool
as one foot steps in front of the other, circling
the five-foot figure-eight infinity loop [...]
10.17.99
HIGH PRESSURE/film shoots
by Kathrin Rögala
translated by W. Martin
and off the mark meadows tipped in in green, which should serve as a pattern here for figures, but the landscape doesn’t know anything, just talk to it, though, and it’ll give in at once. as always [...]
10.08.99
Sappho’s Sparrows
there are so many places to find you   in the endless   white spaces you have left us [...]
09.27.99
Remembering Mr. Gaddis
A memorial tribute was held May 6, 1999, for the late William Gaddis, the esteemed novelist who died in December 1998. [...]
05.19.99
The Raven
Story time done but plenty left over, riches of fishes and fancy comestibles heaped on the table within; a toast, friends, to the slow servant! No master for me. One of the oldest professions, mine, and right honorable, too. [...]
05.17.99
Some Maps
Which it watches, where it waits
In cleft or cavern or crevasse
In dolmen or diluvial boulder-hoard
Not the fissure, not the fosse, a flaw [...]
04.04.99
The Word Laid Bare
Congealed, concertinaed version of “I bet he’s had it,” meaning he has come to grief. [...]
02.27.99
What Happened with Gilbert That Night
Think of our silhouettes lengthening across the bare stage, the creak of the wooden boards beneath our feet, the broken spotlights of gray glass, the dizziness as he twirled me erasing the curtains from my sight, his muscled legs folded in bunched trousers, the actors gone home. [...]
02.12.99
Mechanics
                         Will you
                                      not come again?

                          I will go—
there soon.
                          Will you
                                      not come again?

                          I will cross—
the river twice [...]
01.24.99
A Quiet Poem
My father screamed whenever the phone rang.

My aunt often screamed when she opened the door. [...]
01.03.99
Fog Life
One, two, three, four … strung in a seaward-running necklace each foghorn sounded progressively more distant, a warning that here an island lay. [...]
01.01.99
Paper Head Last Lyrics
They are said to be in the book,
           but there is no book. [...]

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.