Advertise with Us

Conjunctions offers print and online advertising opportunities. For all advertisements, invoices are issued upon receipt of the ad, and payment is due prior to ad publication.

 
ONLINE ADVERTISING

To ensure maximum exposure, each ad featured on Conjunctions’ website appears on our homepage, on the front pages of our Online, Selected Texts, and Multimedia sections, and on all conjunctions.com pages within our Store, Advertise, About Us, and Support sections. Reservations for online ad space may be made at any time by emailing [email protected].

Online ad rates

  • One month: $300
  • Two months: $500

Online ad specs

  • Format: JPG, GIF, or TIFF
  • Color: RGB
  • Ad height: 227 pixels (a small amount of wiggle room is allowed for ad height)
  • Ad width: exactly 271 pixels
  • Resolution: 72ppi
 
PRINT ADVERTISING
Ad space is available in each spring and fall issue of Conjunctions. For spring issues, ads must be received by March 1, and we recommend reserving space no later than February 1. For fall issues, ads must be received by September 1, and we recommend reserving ad space no later than August 1.
 

Print ad rates

  • Full-page ad: $150
  • Two facing full-page ads: $250


Print ad specs

  • Format: TIFF (preferred) or JPG only—no PDFs, please
  • Color: CMYK grayscale / B&W
  • Ad dimensions: exactly 4.5"W X 7.5"H, (Trim size: 6"W X 9"H)
  • Resolution: Minimum 300ppi

Please contact us if you are interested in placing an ad, or if you wish to be advised of the themes or contributors for upcoming issues.

Connect

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Submissions

In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.