Online Exclusives

12.04.97
Green Angel
After the complete failure of the tall motors used to shift the wind toward the ocean, the village became isolated from the others that had been planted along the continent’s jagged black shores. [...]
11.30.97
The Big R
Hourglass figure
receiving threats [...]
11.18.97
Gold Carp Jack Fruit Mirrors
You want, simply, to stop breathing and hear.
Yesterday was a day just like tomorrow. [...]
10.29.97
Darkness and Light
There is a not-so-funny story my aunt Josephine used to like to tell: “When you were born, your mother thought you were so ugly that as soon as she brought you home she shut you in the closet.” [...]
10.21.97
Barcelona
What does the poem erupt?
                                          Nothing. [...]
10.15.97
From Uproar in Heaven
by Fred Ho
Nothing in the world is impossible
If you are of sincere will. [...]
08.21.97
From Thaumatrope
Cantatrice of redglass
as a mirror in flowers
as bloodstone hangs fissuring suns
as a gaze suffers the light inviolate— [...]
08.21.97
From Mermaid’s Purse
It was never mentioned why the princess was placed upon the top of the

glass mountain, or how she might descend. [...]
07.30.97
Three Poems
The handwriting
is cramped and hard to read.
The story familiar, someone in unknown territory. [...]
06.09.97
Cravings 
Emmy Hitler ate lamp shades in her third trimester. [...]
06.09.97
Must We Stoop for Violets in the Hedge?
Walking down the street with it, I studied its amazing contours in shadow. The hair loomed above me, spiny and monstrous.  [...]
06.09.97
The Intransigent Penetration of a Metaphor: A Post-Interview Encounter with Robert Coover
A writer needs isolation, a cell of his own, that’s obvious, but distance can also help. It has a way of freeing the imagination, stirring memory.  [...]
06.06.97
The Manuscript
by Severo Sarduy
translated by Esther Allen
He had spent the entire night smoking twisted and intoxicating cigars that filled the room with a bluish, sickly sweet smoke.  [...]
06.06.97
Winter Visits against His Cell 
I used to live in an office, or rather, there used to be an office where I live.  People used to come here and rent things, places to put their extras, places to store the artifacts they were trying to forget.  [...]

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.