Online Exclusives

12.04.97
Green Angel
After the complete failure of the tall motors used to shift the wind toward the ocean, the village became isolated from the others that had been planted along the continent’s jagged black shores. [...]
11.30.97
The Big R
Hourglass figure
receiving threats [...]
11.18.97
Gold Carp Jack Fruit Mirrors
You want, simply, to stop breathing and hear.
Yesterday was a day just like tomorrow. [...]
10.29.97
Darkness and Light
There is a not-so-funny story my aunt Josephine used to like to tell: “When you were born, your mother thought you were so ugly that as soon as she brought you home she shut you in the closet.” [...]
10.21.97
Barcelona
What does the poem erupt?
                                          Nothing. [...]
10.15.97
From Uproar in Heaven
by Fred Ho
Nothing in the world is impossible
If you are of sincere will. [...]
08.21.97
From Thaumatrope
Cantatrice of redglass
as a mirror in flowers
as bloodstone hangs fissuring suns
as a gaze suffers the light inviolate— [...]
08.21.97
From Mermaid’s Purse
It was never mentioned why the princess was placed upon the top of the

glass mountain, or how she might descend. [...]
07.30.97
Three Poems
The handwriting
is cramped and hard to read.
The story familiar, someone in unknown territory. [...]
06.09.97
Cravings 
Emmy Hitler ate lamp shades in her third trimester. [...]
06.09.97
Must We Stoop for Violets in the Hedge?
Walking down the street with it, I studied its amazing contours in shadow. The hair loomed above me, spiny and monstrous.  [...]
06.09.97
The Intransigent Penetration of a Metaphor: A Post-Interview Encounter with Robert Coover
A writer needs isolation, a cell of his own, that’s obvious, but distance can also help. It has a way of freeing the imagination, stirring memory.  [...]
06.06.97
The Manuscript
by Severo Sarduy
translated by Esther Allen
He had spent the entire night smoking twisted and intoxicating cigars that filled the room with a bluish, sickly sweet smoke.  [...]
06.06.97
Winter Visits against His Cell 
I used to live in an office, or rather, there used to be an office where I live.  People used to come here and rent things, places to put their extras, places to store the artifacts they were trying to forget.  [...]

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

April 17, 2024
The sound reverberated in my sense of what was right and reliable in the world like drone weaponry, and what I wanted to ask was: what business have you left undone, and did you do a thing you so regretted that you can’t let go of it, was there a person you cut off, when sympathy would have been the better gesture, was there a person you trod on to get ahead in your sales job, speaking ill of them, so that they were forever harmed, did you say something awful about a friend in school, did you call a friend the worst of names in middle school, because it was a thing they said then, the boys did that, only to find, later on, that you loved that boy in a way . . . .
April 10, 2024
I do not like old water.

The water in the ocean is old

The lake is old

But maybe it’s not

Subject to the logic of time, of old and new.

Water.
April 3, 2024
To my beloved sense of security, it’s your perimeter
that draws its corners like a belt when it comes down
to eating frozen foods out of the ground, each unenvelopment a finer slice of skin, hooped up inside     a shuffle to which turns quicken around the other way, like Artaud said about dead bolts, skull-clangor, that rings out.
The acclaimed, genre-spanning writer reads from her work.
Monday, April 22, 2024
Campus Center, Weis Cinema