About Us

Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
A Letter from the Editor
Bard College’s literary journal Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For over three decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous quality. We are committed to launching and supporting the careers of unknown authors—William T. Vollmann, David Foster Wallace, and Karen Russell all had some of their very first publications in Conjunctions—while providing a space for better-known voices like Joyce Carol Oates or William H. Gass to work outside audience expectations.

The biannual anthology of new writing appears every spring and fall in print and e-book editions, and generally collects pieces that form a conversation around a central theme—obsession, doppelgängers, black comedy, new-wave fabulism, novellas, works in progress, Caribbean writing, and so on. Because these volumes are book-length, we’re able to publish long-form work, which other journals often cannot accommodate.

The free weekly online journal showcases the work of a single writer each week. It gives us a place to publish the exceptional work that doesn’t fit into the theme of a given anthology, to feature high-quality visual elements, and to delve into the exciting new field of e-writing. Our website also features a multimedia vault of recorded readings, unavailable elsewhere; as well as full-text selections from the anthologies, and a constantly updated table of contents for the issue we’re putting together.

Published by Bard College, with editorial offices in New York City and Annandale-on-Hudson, New York, Conjunctions is a cornerstone of contemporary literary publishing. Since 1981, the journal has been a living notebook in which authors can write freely and audiences read dangerously.

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In Print

Vol. 72
Nocturnals
Spring 2019
Edited by Bradford Morrow

Online

A Selected Text from Conjunctions:72, Nocturnals
May 16, 2019
In agitation along sleep’s surface

dreams the monster, the angular, the slimy, the anything goes, the corpse

who strokes the tigers with rather weak jaws

in a jump cut, on an icy blue couch, red queen

on mute––
May 14, 2019
Though no one is watching, an opening in the hedges reveals a gap where entry is possible.
Inside, an entity multiplies, but how can I know this. The broodself is invisible and smells like
before, which is the only way to know that it happened. It crawls out in unknown ways on
unknown legs, identical because there is no other form or sound.
A Selected Text from Conjunctions:72, Nocturnals
May 9, 2019
What they had in common was they were smokers; everyone was a smoker then. Those three, though, they smoked to live. Cigarettes! There the cigarette would be, raised to the lips. The lips opening, only a little. The smoke drifting across the roof of the mouth. The lungs filling—this is how they recognized one another, in the green sea, green as grass, by streams of water green as glass.
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