About Us

Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
A Letter from the Editor
Bard College’s literary journal Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For over three decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous quality. We are committed to launching and supporting the careers of unknown authors—William T. Vollmann, David Foster Wallace, and Karen Russell all had some of their very first publications in Conjunctions—while providing a space for better-known voices like Joyce Carol Oates or William H. Gass to work outside audience expectations.

The biannual anthology of new writing appears every spring and fall in print and e-book editions, and generally collects pieces that form a conversation around a central theme—obsession, doppelgängers, black comedy, new-wave fabulism, novellas, works in progress, Caribbean writing, and so on. Because these volumes are book-length, we’re able to publish long-form work, which other journals often cannot accommodate.

The free weekly online journal showcases the work of a single writer each week. It gives us a place to publish the exceptional work that doesn’t fit into the theme of a given anthology, to feature high-quality visual elements, and to delve into the exciting new field of e-writing. Our website also features a multimedia vault of recorded readings, unavailable elsewhere; as well as full-text selections from the anthologies, and a constantly updated table of contents for the issue we’re putting together.

Published by Bard College, with editorial offices in New York City and Annandale-on-Hudson, New York, Conjunctions is a cornerstone of contemporary literary publishing. Since 1981, the journal has been a living notebook in which authors can write freely and audiences read dangerously.

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In Print

Vol. 71
A Cabinet of Curiosity
Fall 2018
Edited by Bradford Morrow

Online

November 20, 2018
The film begins silver, white, and black as two nude bodies make their way down the beach to a sea scattered with geranium heads a layer of petals overtaking us, one male and one female, as the wave does.
A Selected Text from Conjunctions:71, A Cabinet of Curiosity
November 15, 2018
After the sudden death of my employer, I was tasked with overseeing the transfer of his personal library. The books would travel from his studio in New York City to an arts foundation in Italy, where my employer had once enjoyed a long and productive stay, many years in the past.
November 13, 2018
8:00 p.m. in this perpetual night shift, and we talk again to the person inside the photo booth, you know, that one photo booth that tunnels all the way down—or up, depending on where you are—to that familiar place where all afterlife and underworld mythologies owe their artifice, the predictability of salvation they purport to deliver.
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