About Us

Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
A Letter from the Editor
Bard College’s literary journal Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For over three decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous quality. We are committed to launching and supporting the careers of unknown authors—William T. Vollmann, David Foster Wallace, and Karen Russell all had some of their very first publications in Conjunctions—while providing a space for better-known voices like Joyce Carol Oates or William H. Gass to work outside audience expectations.

The biannual anthology of new writing appears every spring and fall in print and e-book editions, and generally collects pieces that form a conversation around a central theme—obsession, doppelgängers, black comedy, new-wave fabulism, novellas, works in progress, Caribbean writing, and so on. Because these volumes are book-length, we’re able to publish long-form work, which other journals often cannot accommodate.

The free weekly online journal showcases the work of a single writer each week. It gives us a place to publish the exceptional work that doesn’t fit into the theme of a given anthology, to feature high-quality visual elements, and to delve into the exciting new field of e-writing. Our website also features a multimedia vault of recorded readings, unavailable elsewhere; as well as full-text selections from the anthologies, and a constantly updated table of contents for the issue we’re putting together.

Published by Bard College, with editorial offices in New York City and Annandale-on-Hudson, New York, Conjunctions is a cornerstone of contemporary literary publishing. Since 1981, the journal has been a living notebook in which authors can write freely and audiences read dangerously.

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In Print

Vol. 71
A Cabinet of Curiosity
Fall 2018
Edited by Bradford Morrow

Online

March 19, 2019
Do this in memory of my mother

and of my mother’s mother

Here is this lacquered box (Fig. 100.5)           inlaid

with their blood
March 12, 2019
after collapsing at the plaza fountain in Turin Nietzsche gave up
coherent speech and stayed alive somewhere else for almost twelve years
his unmapped terrain resembled a canvas painted black in successive
luminous opacities of backlit abyss, if he turned on a television
this is what he saw, if he closed his eyes, if he looked out the window
again unshielded night
March 5, 2019
For once they all agreed, it would be the concert of the season, the return of the prodigy son. The Jerusalem music scene was in heat—survivors, empty seat fillers, remnants planted on their subscriptions, but from the neck up, in brainpans that went on ticking, still the strictest standards, the highest expectations.
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The Pulitzer Prize and PEN/Faulkner Award finalist Joanna Scott reads from her work
Monday, April 1, 2019
7:00 pm – 8:00 pm
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium