About Us

Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
Conjunctions editor Bradford Morrow, photographed by Christopher McCoy.
A Letter from the Editor
Bard College’s literary journal Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For over three decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous quality. We are committed to launching and supporting the careers of unknown authors—William T. Vollmann, David Foster Wallace, and Karen Russell all had some of their very first publications in Conjunctions—while providing a space for better-known voices like Joyce Carol Oates or William H. Gass to work outside audience expectations.

The biannual anthology of new writing appears every spring and fall in print and e-book editions, and generally collects pieces that form a conversation around a central theme—obsession, doppelgängers, black comedy, new-wave fabulism, novellas, works in progress, Caribbean writing, and so on. Because these volumes are book-length, we’re able to publish long-form work, which other journals often cannot accommodate.

The free weekly online journal showcases the work of a single writer each week. It gives us a place to publish the exceptional work that doesn’t fit into the theme of a given anthology, to feature high-quality visual elements, and to delve into the exciting new field of e-writing. Our website also features a multimedia vault of recorded readings, unavailable elsewhere; as well as full-text selections from the anthologies, and a constantly updated table of contents for the issue we’re putting together.

Published by Bard College, with editorial offices in New York City and Annandale-on-Hudson, New York, Conjunctions is a cornerstone of contemporary literary publishing. Since 1981, the journal has been a living notebook in which authors can write freely and audiences read dangerously.



In Print

Vol. 69
Being Bodies
Fall 2017
Edited by Bradford Morrow


March 20, 2018
You can’t live forever in fear   of language. Or well,
you can.
But it’s pathetic.  
March 13, 2018
Come late spring the branches bear

creamy blooms then pulpy orange half-sweet

three- or four-stoned fruits that slip to the dirt

that all things living leave behind, dirt
February 27, 2018
You dwell at green lights
longer than expected.
Thoughts that had gone far
are slow in returning.
The Pulitzer finalist and National Book Awardwinning author reads from The Overstory
Monday, April 16, 2018
2:30 pm
Campus Center, Weis Cinema