Advertise with Us

Conjunctions offers print and online advertising opportunities. For all advertisements, invoices are issued upon receipt of the ad, and payment is due prior to ad publication.

 
ONLINE ADVERTISING

To ensure maximum exposure, each ad featured on Conjunctions’ website appears on our homepage, on the front pages of our Online, Selected Texts, and Multimedia sections, and on all conjunctions.com pages within our Store, Advertise, About Us, and Support sections. Reservations for online ad space may be made at any time by emailing conjunctions@bard.edu.

Online ad rates

  • One month: $300
  • Two months: $500

Online ad specs

  • Format: JPG, GIF, or TIFF
  • Color: RGB
  • Ad height: 227 pixels (a small amount of wiggle room is allowed for ad height)
  • Ad width: exactly 271 pixels
  • Resolution: 72ppi
 
PRINT ADVERTISING
Ad space is available in each spring and fall issue of Conjunctions. For spring issues, ads must be received by March 1, and we recommend reserving space no later than February 1. For fall issues, ads must be received by September 1, and we recommend reserving ad space no later than August 1.
 

Print ad rates

  • Full-page ad: $150
  • Two facing full-page ads: $250


Print ad specs

  • Format: TIFF (preferred) or JPG only—no PDFs, please
  • Color: CMYK grayscale / B&W
  • Ad dimensions: exactly 4.5"W X 7.5"H, (Trim size: 6"W X 9"H)
  • Resolution: Minimum 300ppi

Please contact us if you are interested in placing an ad, or if you wish to be advised of the themes or contributors for upcoming issues.

Connect

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Submissions

In Print

Vol. 71
A Cabinet of Curiosity
Fall 2018
Edited by Bradford Morrow

Online

November 20, 2018
The film begins silver, white, and black as two nude bodies make their way down the beach to a sea scattered with geranium heads a layer of petals overtaking us, one male and one female, as the wave does.
A Selected Text from Conjunctions:71, A Cabinet of Curiosity
November 15, 2018
After the sudden death of my employer, I was tasked with overseeing the transfer of his personal library. The books would travel from his studio in New York City to an arts foundation in Italy, where my employer had once enjoyed a long and productive stay, many years in the past.
November 13, 2018
8:00 p.m. in this perpetual night shift, and we talk again to the person inside the photo booth, you know, that one photo booth that tunnels all the way down—or up, depending on where you are—to that familiar place where all afterlife and underworld mythologies owe their artifice, the predictability of salvation they purport to deliver.
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