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Conjunctions:77, States of Play Launch Reading
An evening with Anelise Chen, Shelley Jackson, Arthur Sze, Tracie Morris, and Charles Bernstein
Friday, January 21, 2022
8:00 pm – 9:00 pm EST/GMT-5
Online Event
 [Conjunctions:77, States of Play Launch Reading] Please join us for the online launch of Conjunctions:77, States of Play! Hosted by Elliott Bay Book Company, the evening will feature readings by Anelise Chen, Shelley Jackson, Arthur Sze, and Tracie Morris and Charles Bernstein, with an introduction by Contributing Editor Brian Evenson. Click here to register!

Featured Authors

Charles Bernstein is the author of Topsy-Turvy and Pitch of Poetry (both University of Chicago Press). In 2019, he was awarded the prestigious Bollingen Prize for Poetry. With Tracie Morris, Bernstein co-edited Best American Experimental Writing 2016 (Wesleyan University Press).

Anelise Chen's first book, So Many Olympic Exertions, came out with Kaya Press in 2017. She teaches writing at Columbia University.

Brian Evenson (Contributing Editor) is the author of over a dozen books of fiction, most recently the story collection The Glassy Burning Floor of Hell (Coffee House Press). His work has won the World Fantasy and Shirley Jackson Awards, and he has been a finalist for the Edgar Award and the Ray Bradbury Award.

Shelley Jackson is the author of Riddance (Black Balloon), Half Life (HarperCollins), The Melancholy of Anatomy (Anchor), hypertexts including Patchwork Girl (Eastgate Systems), and several children’s books, including The Old Woman and the Wave (DK) and Mimi’s Dada Catifesto (Clarion Books). She is known for her cross-genre experiments, most notably SKIN, a story published in tattoos on 2,095 volunteers.

Tracie Morris's recent books include the forthcoming titles handholding: on the other hand (Kore Press), human/nature poems (Litmus Press), Who Do With Words (expanded edition, Chax Press) and Hard Korè: Poems of Mythos and Place (Joca Seria Press).

Arthur Sze received the 2021 Shelley Memorial Award from the Poetry Society of America. His newest book is The Glass Constellation: New and Collected Poems (Copper Canyon).

About the Issue
Published by Bard College in fall 2021, this kaleidoscopic issue on games, gambles, and gambits features new fiction, poetry, essays, and cross-genre work by Ranjit Hoskote, Joanna Scott, Shelley Jackson, John Darcy, Heather Altfeld, James Morrow, Kyoko Mori, Charles Bernstein& Tracie Morris, Catherine Imbriglio, Pierre Reverdy, David Shields, Robin Hemley, Joyce Carol Oates, Nathaniel Mackey, Anelise Chen, S.P. Tenhoff, Lowry Pressly, Cole Swensen, Rae Armantrout, Lucas Southworth, Kelsey Peterson, Arthur Sze, John Dimitroff, Alyssa Pelish, Nam Le, Tim Raymond, Justin Noga, Kate Colby, and Brian Evenson.

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.