News and Events

See all News and Events

A Reading by Karan Mahajan
The Bard Fiction Prize winner and National Book Award finalist Karan Mahajan reads from his work.
Monday, February 26, 2018
2:30 pm EST/GMT-5
Campus Center, Weis Cinema
 [A Reading by Karan Mahajan]
On Monday, February 26, at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, novelist Karan Mahajan reads from his work. Presented by the Innovative Contemporary Fiction Reading Series, introduced by novelist and Bard literature professor Bradford Morrow, and followed by a Q&A, the reading is free and open to the public; no tickets or reservations are required.

Karan Mahajan studied English and economics at Stanford University before earning an M.F.A. in fiction from the Michener Center for Writers. His first novel, Family Planning (2012), was a finalist for the International Dylan Thomas Prize. His second novel, The Association of Small Bombs (2016), won the Bard Fiction Prize, the Anisfield-Wolf Book Award for Fiction, and the NYPL Young Lions Award and was a finalist for the National Book Award, in addition to being named a Best Book of the Year by the New York Times Book Review, New York Magazine, Esquire, Buzzfeed, Huffington Post, and others. In 2017, Mahajan was selected as one of Granta’s Best Young American Novelists.
 



PRAISE FOR KARAN MAHAJAN
 
The Association of Small Bombs is wonderful. It is smart, devastating, unpredictable, and enviably adept in its handling of tragedy and its fallout. . . . Mahajan is the real deal.” —Fiona Maazel, New York Times Book Review

“A voracious approach to fiction-making . . . Mahajan has a cinematic attunement to the spectacle of disaster.” —New Yorker

“Mahajan is an incredibly assured stylist. . . . Hugely promising.” —Jay McInerney, Daily Beast

“Even when handling the darkest material or picking through confounding emotional complexities, Mahajan maintains a light touch and a clarity of vision.” —London Review of Books

“Mahajan . . . has already developed an irresistible voice with a rich sense of humor fueled by sorrow.” —Washington Post Book World

Contact: Nicole Nyhan, [email protected], 845-758-7054

Connect

e-mail
Submissions

In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

April 17, 2024
The sound reverberated in my sense of what was right and reliable in the world like drone weaponry, and what I wanted to ask was: what business have you left undone, and did you do a thing you so regretted that you can’t let go of it, was there a person you cut off, when sympathy would have been the better gesture, was there a person you trod on to get ahead in your sales job, speaking ill of them, so that they were forever harmed, did you say something awful about a friend in school, did you call a friend the worst of names in middle school, because it was a thing they said then, the boys did that, only to find, later on, that you loved that boy in a way . . . .
April 10, 2024
I do not like old water.

The water in the ocean is old

The lake is old

But maybe it’s not

Subject to the logic of time, of old and new.

Water.
April 3, 2024
To my beloved sense of security, it’s your perimeter
that draws its corners like a belt when it comes down
to eating frozen foods out of the ground, each unenvelopment a finer slice of skin, hooped up inside     a shuffle to which turns quicken around the other way, like Artaud said about dead bolts, skull-clangor, that rings out.
The acclaimed, genre-spanning writer reads from her work.
Monday, April 22, 2024
Campus Center, Weis Cinema