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A Reading by Paul Lisicky
The 2016 Guggenheim fellow reads from his memoir The Narrow Door
Monday, April 10, 2017
2:30 pm EDT/GMT-4
Campus Center, Weis Cinema
 [A Reading by Paul Lisicky] The author of Lawnboy reads from his new memoir, The Narrow Door, at 2:30 p.m. on Monday, April 10th, 2017, in Weis Cinema, Bertelsmann Campus Center. Sponsored by the Innovative Contemporary Fiction Reading Series, introduced by Bradford Morrow and followed by a Q&A, the reading is free and open to the public; no tickets or reservations are required.

PAUL LISICKY is the author of The Narrow Door, Unbuilt Projects, The Burning House, Famous Builder, and Lawnboy, and the editor of StoryQuarterly. A 2016 Guggenheim Fellow, he has also received awards from the National Endowment for the Arts, the James Michener/Copernicus Society, the Corporation of Yaddo, and the Fine Arts Work Center in Provincetown. He currently teaches in the MFA Program at Rutgers University-Camden, the low residency program at Sierra Nevada College, and at the Juniper Summer Writing Institute.

Read his work in Conjunctions’ weekly online magazine, and read and hear his contribution to Conjunctions:61, A Menagerie.

PRAISE FOR PAUL LISICKY

“Intelligent and intimate, fierce and tender, real and raw, Paul Lisicky’s The Narrow Door is an unforgettable memoir about love and loss, friendship and forgiveness. It had me in its thrall from page one.”—Cheryl Strayed

“You know you’re reading an exceptional book when, approximately two sentences into it, you start panicking at the thought of its ending. Be forewarned: this is likely to happen to you, as it did to me, reading the opening pages of The Narrow Door, the achingly gorgeous, wildly ambitious memoir by Paul Lisicky.” —Chicago Tribune

“Paul Lisicky’s The Narrow Door circumvents the often inscrutable forces that bring us in and out of each other’s lives and hearts, while paying welcome homage to the oft-unsung role of friendship in them. While Lisicky bears witness to ‘the hell of wanting [that] has no cure,’ his ship always feels buoyant, by virtue of a narrator whose attentiveness to feelings both big and small is marked throughout by honesty and devotion.” —Maggie Nelson

Any supporter who donates $500 or more to Bard’s literary journal Conjunctions receives a BackPage Pass providing VIP access to any Spring/Fall 2017 or future event in the Innovative Contemporary Fiction Reading Series. Have lunch with a visiting author, attend a seminar on their work, and receive premium seating at their reading. Or you can give your BackPage Pass to a lover of literature on your gift list! To find out more, click here or contact Micaela Morrissette at [email protected] or (845) 758-7054.

Contact: Micaela Morrissette, [email protected], 845-758-7054

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

April 17, 2024
The sound reverberated in my sense of what was right and reliable in the world like drone weaponry, and what I wanted to ask was: what business have you left undone, and did you do a thing you so regretted that you can’t let go of it, was there a person you cut off, when sympathy would have been the better gesture, was there a person you trod on to get ahead in your sales job, speaking ill of them, so that they were forever harmed, did you say something awful about a friend in school, did you call a friend the worst of names in middle school, because it was a thing they said then, the boys did that, only to find, later on, that you loved that boy in a way . . . .
April 10, 2024
I do not like old water.

The water in the ocean is old

The lake is old

But maybe it’s not

Subject to the logic of time, of old and new.

Water.
April 3, 2024
To my beloved sense of security, it’s your perimeter
that draws its corners like a belt when it comes down
to eating frozen foods out of the ground, each unenvelopment a finer slice of skin, hooped up inside     a shuffle to which turns quicken around the other way, like Artaud said about dead bolts, skull-clangor, that rings out.
The acclaimed, genre-spanning writer reads from her work.
Monday, April 22, 2024
Campus Center, Weis Cinema