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A Reading by Paul Lisicky
The 2016 Guggenheim fellow reads from his memoir The Narrow Door
Monday, April 10, 2017
2:30 pm EDT/GMT-4
Campus Center, Weis Cinema
[A Reading by Paul Lisicky] The author of Lawnboy reads from his new memoir, The Narrow Door, at 2:30 p.m. on Monday, April 10th, 2017, in Weis Cinema, Bertelsmann Campus Center. Sponsored by the Innovative Contemporary Fiction Reading Series, introduced by Bradford Morrow and followed by a Q&A, the reading is free and open to the public; no tickets or reservations are required.

PAUL LISICKY is the author of The Narrow Door, Unbuilt Projects, The Burning House, Famous Builder, and Lawnboy, and the editor of StoryQuarterly. A 2016 Guggenheim Fellow, he has also received awards from the National Endowment for the Arts, the James Michener/Copernicus Society, the Corporation of Yaddo, and the Fine Arts Work Center in Provincetown. He currently teaches in the MFA Program at Rutgers University-Camden, the low residency program at Sierra Nevada College, and at the Juniper Summer Writing Institute.

Read his work in Conjunctions’ weekly online magazine, and read and hear his contribution to Conjunctions:61, A Menagerie.

PRAISE FOR PAUL LISICKY

“Intelligent and intimate, fierce and tender, real and raw, Paul Lisicky’s The Narrow Door is an unforgettable memoir about love and loss, friendship and forgiveness. It had me in its thrall from page one.”—Cheryl Strayed

“You know you’re reading an exceptional book when, approximately two sentences into it, you start panicking at the thought of its ending. Be forewarned: this is likely to happen to you, as it did to me, reading the opening pages of The Narrow Door, the achingly gorgeous, wildly ambitious memoir by Paul Lisicky.” —Chicago Tribune

“Paul Lisicky’s The Narrow Door circumvents the often inscrutable forces that bring us in and out of each other’s lives and hearts, while paying welcome homage to the oft-unsung role of friendship in them. While Lisicky bears witness to ‘the hell of wanting [that] has no cure,’ his ship always feels buoyant, by virtue of a narrator whose attentiveness to feelings both big and small is marked throughout by honesty and devotion.” —Maggie Nelson

Any supporter who donates $500 or more to Bard’s literary journal Conjunctions receives a BackPage Pass providing VIP access to any Spring/Fall 2017 or future event in the Innovative Contemporary Fiction Reading Series. Have lunch with a visiting author, attend a seminar on their work, and receive premium seating at their reading. Or you can give your BackPage Pass to a lover of literature on your gift list! To find out more, click here or contact Micaela Morrissette at [email protected] or (845) 758-7054.

Contact: Micaela Morrissette, [email protected], 845-758-7054

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In Print

Vol. 80
Conjunctions:80
Ways of Water
Spring 2023
Edited by Bradford Morrow

Online

Zoop
by Jess Arndt
May 31, 2023
Ice worms first start communing with me in Forlandsundet, a miles-deep sound north of the Greenland Sea. I don’t speak Norwegian, but I can parse: For. Land. Sun. It’s completely black outside. Det means “that or it.” Det, that’s easy, I’ve been one all my life.

The KV Svalbard is an icebreaker. From the foredeck, the rocky screes sweeping west are the planet’s emptiest place. No one between us and the North Pole.

“Det,” I hear, “Oi Det.” I can’t locate the strange, oblong voice, more of a nose whistle. Near me? but not inside me. I soon give up.
Rainmaking
by Lindsey Drager
May 24, 2023
Of course the book she writes—the lesser book, the book about nothing—becomes a popular text, one that readers adore. When they ask her what she will write next, she says she is going to write the book over. Over? they ask her.
       Again, she says. She isn’t really a writer, she tells them, she’s a transcriber. She transcribes stories.
       Across languages? they ask.
       No, she says. That would be translation. I used to do that but stopped, she says. Now I transcribe. I take texts and transcribe them into another version of the same language.
       So you rewrite, they say.
       No, she says. You’ll see.
The Wave Readers
by Kristin Posehn
May 18, 2023
For thousands of years, the peoples of the Marshall Islands have entertained a bustling interisland travel by canoe and small sailing craft without any of the tools—compass, sextant, nautical charts, and, these days, GPS—on which the rest of the world has depended. Within a purely oral tradition, Marshallese navigators developed a highly refined system of voyaging, relying entirely on their senses to decipher the subtlest of codes in the aqueous environment. Theirs has always been a world of waves.