Contributors

Quincy Troupe
Contributor History

Biography
Quincy Troupe
Quincy Troupe is the author of twenty books, including ten volumes of poetry and three children’s books. His awards include the Paterson Award for Sustained Literary Achievement, the Milt Kessler Poetry Award, three American Book Awards, the Gwendolyn Brooks Poetry Award, a Lifetime Achievement Award from Furious Flower, and the Charles H. Wright Museum of African American History Award, January 25, 2018, in Detroit, Michigan. His writings have been translated into over thirty languages.

Troupe’s latest books of poems are
Seduction and a book-length poem, Ghost Voices, published by TriQuarterly/Northwestern University Press. He is coauthor, with Miles Davis, of Miles: The Autobiography, and author of Miles and Me, a chronicle of his friendship with Miles Davis, reissued in 2018 by Seven Stories Press and scheduled for release in 2020 as a major motion picture for which Mr. Troupe wrote the screenplay. Also forthcoming from Seven Stories are Duende: Poems from 1966 Until Now (fall 2020) and a memoir, The Accordion Years, in 2021.

Quincy Troupe is Professor Emeritus from the University of California, San Diego. He edits
Black Renaissance Noire, a literary and culture journal published by the Institute of African American Affairs at New York University. He lives in Harlem with his wife, Margaret Porter Troupe.

Connect

e-mail
Submissions

In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.