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Quincy Troupe
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Biography
Quincy Troupe
Quincy Troupe is the author of twenty books, including ten volumes of poetry and three children’s books. His awards include the Paterson Award for Sustained Literary Achievement, the Milt Kessler Poetry Award, three American Book Awards, the Gwendolyn Brooks Poetry Award, a Lifetime Achievement Award from Furious Flower, and the Charles H. Wright Museum of African American History Award, January 25, 2018, in Detroit, Michigan. His writings have been translated into over thirty languages.

Troupe’s latest books of poems are
Seduction and a book-length poem, Ghost Voices, published by TriQuarterly/Northwestern University Press. He is coauthor, with Miles Davis, of Miles: The Autobiography, and author of Miles and Me, a chronicle of his friendship with Miles Davis, reissued in 2018 by Seven Stories Press and scheduled for release in 2020 as a major motion picture for which Mr. Troupe wrote the screenplay. Also forthcoming from Seven Stories are Duende: Poems from 1966 Until Now (fall 2020) and a memoir, The Accordion Years, in 2021.

Quincy Troupe is Professor Emeritus from the University of California, San Diego. He edits
Black Renaissance Noire, a literary and culture journal published by the Institute of African American Affairs at New York University. He lives in Harlem with his wife, Margaret Porter Troupe.

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In Print

Vol. 79
Onword
Fall 2022
Edited by Bradford Morrow

Online

March 29, 2023
He had understood marriage as a way for people to be close together by maximizing their respective, individual isolation. He suspected that people got married so that the mirror of blame and excuses could point away from their respective selves, a way of blindly dismissing their own accountability. Had they been alone, they would have been forced to face their own terrors and demons. They would, at least, have tried to tackle some of their weaknesses instead of directing the velocity of their failure toward their “seemingly” innocent spouse. Zeaz understood this on a fundamental level and so, in the Year of the Tiger, he prepared legal papers to divorce his white wife and faced what he feared the most: himself, a biracial man with intermittent epileptic episodes, who was less dominant than a leaf.
March 22, 2023
To survive sadly is still. 
At a boat’s bottom, allegedly a boat. 
Allegedly an anchor. Allegations of a law. 
Oh splinters that split us, oh those who spit on our black gaberdine. 
The skin rolls the water off. That is what ash is, actually. 
Accumulation of spittoons and the water’s detritus. 

Hump day is a whale, freer than us even in capture, even in tallow. 
No one said: this isn’t a whale, even as they strung it up to cut its meat. 
No one said: this is something tbd. They said: mammal, leviathan, child of god, named by Adam. 

We got a new name. Something made up. We managed to live. In that hole name.
March 15, 2023
He’s been coming around a lot but I’ve only recently started calling the dog Jesus because if Jesus were to return, this is how he would do it. In this shape, in this form, in these times. I’m sure of it. My best and only friend, Holy Amy, who thinks of herself as a kind of very powerful and sexually budding nun, disagrees. She says Jesus would return in the form of a handsome kisser, not some ugly mutt. Someone with a beautiful face, so we would know it was him. I say he’s not ugly. She says I am “vexed,” “cursed,” and that I am doomed to repeat the mistakes of those before me, though I’m not sure whom she’s talking about. All I know is it’s true: he’s not ugly. The dog suit he wears isn’t even a dog suit.