Contributors

Jeffery Renard Allen
Contributor History

Biography
Jeffery Renard Allen
Photo credit: Mark Hilringhouse
Jeffery Renard Allen is the award-winning author of six books of fiction and poetry, including the celebrated novel Song of the Shank, which was a front-page review in both the New York Times Book Review and the San Francisco Chronicle. Allen’s other accolades include the Chicago Tribune’s Heartland Prize for Fiction, the Chicago Public Library’s Twenty-First Century Award, the Ernest J. Gaines Award for Literary Excellence, a grant from Creative Capital, a Whiting Writers’ Award, a Guggenheim fellowship, residencies at the Bellagio Center, Ucross, the Hermitage, VCCA, Monson Arts, and Jentel Arts, and fellowships at the Center for Scholars and Writers, the Johannesburg Institute for Advanced Studies, and the Schomburg Center for Research in Black Culture. He was a finalist for both the PEN/Faulkner Award and the Carnegie Medal for Excellence in Fiction. Allen is the founder and editor of Taint Taint Taint magazine and is the Africa editor for the Evergreen Review. His latest books are the short story collection Fat Time and the memoir An Unspeakable Hope, the latter co-authored with Leon Ford. Making his home in both New York and Johannesburg, Allen is at work on several projects, including a two-volume memoir entitled Mother-Wit and a short story collection called Try Me. Find out more about him at www.writerjefferyrenardallen.com.

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.