Contributors

Georges-Olivier Châteaureynaud
Contributor History

Biography
Widely known in his native France, Georges-Olivier Châteaureynaud has been honored over a career of almost forty years with the Prix Renaudot, the Prix Goncourt de la nouvelle, and the Grand Prix de l’Imaginaire at Utopiales. He has been published in Conjunctions, the Harvard Review, the Southern Review, Words Without Borders, AGNI Online, Epiphany, Fantasy & Science Fiction, Lady Churchill’s Rosebud Wristlet, Joyland, and the Brooklyn Rail, as well as in the anthologies Exotic Gothic 5 (PS Publishing) and XO Orpheus (Penguin). His volume of selected stories, A Life on Paper (Small Beer), won the Science Fiction & Fantasy Translation Award.

Connect

e-mail
Submissions

In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

November 6, 2024
His body had been in the trunk some hours already when she began to feel him next to her in the cab as well. She couldn’t see him at first, could only sense he was there. But soon the hair on her right arm stood up and the air beside her began to shimmer. Before she began to see him fully, she whipped her gaze away.
October 30, 2024
This house isn’t haunted, has never been, but that will change when, some years from now, I will sometimes feel a chill, and sometimes I will feel alone, and sometimes a voice will say, “Who are you and what have you done with Donna?” And I will try to respond, but I won’t know who Donna is, won’t even know a Donna. I fear I might someday learn.
October 23, 2024
People like to believe they have influence over disasters, catastrophes, losses—by which they mean control—but that’s illusion, and she was done with illusion. Could she write that in her report? You’re all suffering under an illusion. Instead, she picked up the phone and texted: Island//illusion. Illusion//island. They sound the same when you say them enough. There’s a word for that, but I can’t remember it now. I can’t remember anything clearly. All my words are inverted and mirrored. edrorrim. See?