Contributors

Can Xue
Contributor History

Biography
 Can Xue
Now living in Xishuangbanna in Yunnan Province, Can Xue has been at the forefront of experimental writing in China since 1983. Can Xue was short-listed for the prestigious Neustadt International Prize for Literature for 2016 and received the 2015 Best Translated Book Award for The Last Lover (Yale University Press); her Love in the New Millennium (Yale University Press, 2018) was longlisted for the 2019 Man Booker International Prize. Her most recent two books to appear in English translation are I Live in the Slums (Yale UP) and Purple Perilla (Common Era Books). Yale will publish her novel The Barefoot Doctor in 2022.

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 24, 2024
On Valentine’s Day, Milo strings a horse-shaped piñata from the ceiling light in our living room, and I walk by twice before noticing it swaying there. The light is off and the horse is dark, but I am not unobservant. Part of me accepts a horse swinging in my periphery. Milo makes up a real reason for me to go back down the hall and, when I look for the space heater, I find the horse hanging. He dangles from a yellow jump rope, and I am so happy to see him in my house. Milo hands me the stick. “You need,” he says, “to kill a horse.”
 
July 17, 2024
There is the man on the moon. Go to him. Get bread from him, drink his water. Take your dog, Blue to him. Take your mother. She is skiing outside around the house. Stop her, tell her that Blue is going also. Take the gander, Henry. He is short in the legs. Leave me Iris. I have seen her eat feed in a pattern.
 
July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.