Contributors

Andrea Scott
Contributor History

Biography
Andrea Scott is working on two book projects—a collection of documentary poems titled Clocks, Hooks, and Bells and the monograph Lyric Diplomacy: The Cold War Politics of Postwar Poetry in Germany and the US. Her poems, essays, and translations have appeared in journals such as the Chicago Review, Denver Quarterly, and jubilat. She divides her time between Princeton and Berlin.

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In Print

Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

July 10, 2024
Marcie decided on Vertigo because she’d recently encountered several texts in quick succession that made extensive reference to it: Chris Marker’s time travel film told in still images, La Jetée, Terry Gilliam’s unlikely Hollywood adaptation, 12 Monkeys, and a story by Bennett Sims called “White Dialogues” about an embittered academic seething in an auditorium during a lecture being given by the hot new thing in Hitchcock studies. The coincidence made her feel involved with the film, and vice versa, in a way that evades more specific description.
July 3, 2024
We slapped together two clods of oak around a broken bedpan lid and twined them together with a horsetail. Realized then our discovery: the first knife ever. We go to Tony’s. Tony indicates our find—What is that shit?—and he slides us each a prairie fire: whisky, tabasco. Crab says, Maybe lean forward, Tony, and Tony, doing so, discovers the knife sinking in buttery smooth, right between his ribs.
 
June 26, 2024
Moments lately, I think I am on the brink of an epiphany, swept right to the threshold by, say, the pulp of a grape or the progress of a Beethoven sonata or some other spiritual force, and were I to cross over it, loosed into the light of that knowledge, it would also mean my days on earth are numbered, that I have understood all that is needed before this life meets its resolution. But each time I am held back, caught by the hem of my shirt, denied whatever I thought I might see, allowed it only in periphery.