THE SPEECH OF THE THIN KING’S MINDER
The thin king bound in the fiery hollow shook
The chain by which his left arm was suspended
And from a hatch that rattled open just
Above his right eye dropped a demon like
A glass-winged gerbil, who immediately
Began to stab the thin king’s pupil with
A dripping claw, and said, Forgive me, king,
For my unwilling violence. I bite
My paws off, but they grow back while I chew
So that I wonder while I’m chewing, Is
This still my paw I’m chewing, and, forgive
Me, king, but that thought helps me swallow. I
Was just now talking to the cook, I don’t
Know this one’s name, don’t ask me what his name is
He’s got a head that looks like, right at the top,
A knot in an oak tree. I think he must
Talk through the hole he listens with. I have to
Shout through his voice to talk to him, for all
The who-knows-what he tries to tell me. I
Don’t like to stare, so when I talk to him
I perch on the edge of the knot and shout, so I’m
Too close to see the knot. Anyway, I
Was talking, and I had to pull my face
Out of the hole to breathe, and when I did
Forgive me, king. You know I can’t stop stabbing
Your eye. You know I have to hold your eyelid
Open whenever you try to blink. You know
I have to hold it open with my teeth
You know I’ve tried to swallow them. Forgive me
Anyway, when I pulled my head from the knot
I saw a new sign hanging from the line
Above the stove, where the cooks drain the bodies
Hanging between two bodies, on a sinew
And the sign read, You cannot love your mother
And let your neighbor starve. I saw the sign
And heard a moaning sound approaching from
The knot, a moaning and a rasping scream
Both sounds approaching me together, and
I looked in the knot and saw what looked like eyes
A pair of eyes, furious, rising from
The darkness in the knot, not glowing, but
Their fury made them visible. I saw
In the eyes fury great as yours once was
Hunger more hollow than you could sustain
Now. They rose fixed on me, and as they rose
I noticed, at first sheathing, and then growing
From my claws, icicles of blood, that grew
Down toward the eyes as quick as the eyes rose
I lost my balance, and I fell from the knot
And almost into the tall flame the cook
Was using to make pancakes, but I stopped
Myself. Hovering there, above the flame
Beneath the knot, I only heard the cook
Humming a song I didn’t recognize
Each long note slid across the knot, ice sliding
Across a pond the moment winter leaves it
I turned my head and looked up, and no eyes
Emerged, but each of the bodies on the line
Opened its eyes, but lifelessly, and only
To glance at the icicles now melting into
The batter, then each closed its eyes again
Forgive me, at that moment a thought seized me
And holds me still. If God’s your mother—surely
God is your mother, king, who with the first
Made things was made—and loving God would free you
How many must you feed or else despair
The earth has not yet swallowed up so many
I think. I was just shaking my paws dry
And thinking when you rang. And here I am
Blood pearled at the wound in the eye of the thin king
Who eats the world and burns in the hollow center
Of the world. The demon bit the lid and held it
SEAGULLS CRYING
To the beach at where at anywhere a beach is
But might have been in Oregon unless my
Grandparents were afraid I would be known there
My kidnapping or there I would remember they
Kidnapped me and say
So to a stranger so and so and so and
At whom and for how long then would they have to
Smile to get free how whitely nod and wriggle
To keep their black pet smile at whom how far beneath
Them the last smile on earth
Or to the beach at the Gulf of Mexico some
Several fewer thousand miles from Austin
And where the water looked unnatural colored
To me who hadn’t then before seen water not
Bound on all sides penned caught
And blue kept clean the influx there prevented
Of influence from other waters said to
But said by whom who weren’t themselves corrupted
Said to be water just the same as that which e-
ven I a child could see
Looked clean being blue a child but taught to value
Purity I was four was five was six that
Child a hallucination now my mother’s
Parents it was summer took me there and almost none
Of it most of it gone
Now I remember almost none of it not
Even myself a dream now I remember
Except the crying seagulls at the window
Of the hotel room in which we stayed from which I don’t
Remember leaving once
Except to go back home the crying seagulls
Crying at our window at no other crying
Until I threw them bread my mother’s mother
Had packed a loaf of bread I tore the loaf apart
As fast as I could tear
It each brown slice apart and threw the pieces
To the seagulls who is standing next to me which
Kidnapper smiling a hallucination
Helping with the loaf but will not let me leave the room
Not even leave with them
Not hand in hand with them down to the water
To watch the seagulls there that might not cry so
Hungrily there and some would hover quiet
Above the waves and some would settle on the waves
And none would know my face
THE STAGGERING MAN
—After Bill Traylor’s untitled drawing commonly
known as Man Carrying Dog on Object
I wear the anvil and the dog
I carry them, the dog atop
The anvil. You might think the an-
vil a caulked basket, me an African
Carrying water home from the well
The river, in a basket on
My head. It is an anvil, cast
Steel, painted blue, like water. I walked past
The river in a dream once, walked
Along the river, carrying
The anvil. When I looked and saw
My shadow on the water, where the blue
Anvil, its shadow, should have been
Nothing, the shadow of the dog
Floating above my head. I woke
Sweating, afraid, too eager, and I checked
The corner of the still black room
Immediately for my burden
I leap from bed and reach for the anvil
The dog bites through my hand before I can pull
It back, though I had felt the cold
Pouring from the steel, and the wet heat
Of the dog’s breath. As you can see
I hold a cane in one hand, balance the
Anvil with the other. Now which hand for
Which? Joy distracted me. To have
Dreamed such a dream! To have survived it
My burden, disappeared! But I arrived at
The answer. With the healthy hand
I keep my burden safe, and with
The cane I hold in the wounded hand
I punch my dripping blood into the earth
AFTERHEX 6
One’s opportunities to be unhappy are
Corporate, yet disembodied, like a clown who works
Exclusively at office parties, here he comes
Carrying as he always does his bright red briefcase
And now you have another Team Esteem Bonds Builder
To fear, the script in somehow it’s a universal
Language no human being would ever speak, approved
By many human beings. As far as going along
With something goes, are you still part of everybody
The everybody in your home, the office, your
City, your state, your country, where? How far from you
Do you become just you again? if you within
The boundaries of your body know yourself, and so
Within the boundaries of your body are yourself
Alone, and not relying on what someone told
You years ago a liver is, and what a liver
Looks like, and how a liver works, for whom, you? What
Percentage of your life do systems live for you
You wouldn’t recognize if somehow you could see
Them pulsing on a cluttered gurney by your side
Mixed with, they look identical, organs from oth-
er people that would kill you were they stuffed in you
Your body would reject? Is red healthy? You’re paid
To laugh by someone paid to whisper by the people
Who pay themselves, and speak as loud as, louder than
They want to speak, or think they want to speak, the people
Who think their need to be more powerful than other
People, their organs pulsing redder on the gurney
Will one day free them, though it binds them tighter to
You every second of their lives, and always has, though
You’re paid to listen to their whispers redden warm
In the gut of the middleboss, a nest for day-long eggs