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CONJUNCTIONS: A Web Exclusive |
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Paul Klee Juliana Leslie
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How to compose a question: to spell the word blue in Paul Klee's painting entitled Paul Klee's The color blue in the painting the entryway to the little room called blue or Holocene a face with orange noise In Paul Klee's painting So many polar explorers So many buttons under hands understand intimacy and texture or substitute texture for the intimacy under hands ♦♦♦ I'm not your aster burnt marshmallow small honey gradations of warm honey blue to yellow light pale suggestion of warmest chartreuse summery suggestion of hello plus Substituting the body for the palest suggestion of green grass Replace doubt with live color and the affirmation of color or substitute affirmation with actual texture substitute when a human body disappears with wavelength or fold of blanket substitute and/or replace wind with bees ♦♦♦ "What is the shape of the little rabbit inside you?" I was explaining my drawing of a curved line I said, I didn't know, I said in a system of circles and stars I resemble the heart in that painting the half face half-turned the red-headed painting I resemble the pinks and grays I resemble, he said, that looks like you and I turned in the Museum in the gorgeous room that's not me I said that's you ♦♦♦ Fatal Bassoon Solo vs. Well-Tended Woodland Path I knew myself to be on the verge of finding the living record of an underground tree I knew an ear was also an animal or Witness the Man with the Beard of Bees the cunning enticement of pen on paper My moving furniture gave me an uncompromising vision like "signs intensifying themselves" what is the shape of this meaning? I've just cobbled together I mean I've just jury-rigged this hell hole utopian Ball ♦♦♦ I'm thinking of two syllables a subject and predicate I stole I'm thinking of as knowledge relates to color, forms, the visible I'm thinking a grassy movement a texture a diagram for the drawing of a line Your birthday carries a wavelength and a color your body carries this wavelength with specific reference to "knowledge . . . the visible" ♦♦♦ I produce a light compatible with my hands to keep "the present present" I look past seeking into sought and find the careful hazelnut of tomorrow, but the painful exigencies of being a swimmer demand of me to return to clouds □ |