Online Exclusives

12.17.05
Between Tongues: An Interview
I vividly recall my first bus ride on arriving in this country, from New York to Michigan. The feeling of SPACE, of relatively wild space, of woods going on and on was overwhelming to me.  [...]
12.17.05
Five Poems
Impossible. Without the idea of counting. To imagine numbers. Repeating an identical act, a particular mark. Over and over.  [...]
10.21.05
Two Poems
The programmer with his grim black bag brings no cure for encaged, gates shut, companions grimy. Spoonful of laughter, spoonful of lust, skill so droll that dolls call slaves to come and open the wall where I go so young again. Was it better when we used playthings? [...]
09.24.05
Arc XX: Paterfamilia
Of surrender or denial, surrender and denial
what voice will you offer to the dead
what alphabet to the suffering.  [...]
09.09.05
Three Poems
Finally, how to carry the sky
at twilight? A rose so cool [...]
08.26.05
Responsibilities of the Champagne Flutes
A day of awnings and fruitless steps. Pause. Something glinting and apparent and political in what she slices. [...]
08.11.05
Three Poems
It starts with examining our shores. An elastic shove 
could inch the edges out, said those who loved greatest 
and with massive breakers. [...]
07.27.05
The Book of Beginnings & Endings
And if it were possible to pursue the bleeding heart dove to her nest, what then? [...]
07.03.05
The Castle’s Origin
by Can Xue
translated by Rong Cai
Because there is no reason to live, he invents one to fill the void; with purity and vacuity the invented rationale fights the filth and congestion of reality. [...]
06.12.05
Storm, lustral
Blue as already the shoreline
is breaking, are you a
lakefront the question is
lacking  [...]
05.31.05
Nine Poems
You walk above in the light,
     Soulful genius, on a yielding floor! 
         God’s shining breezes
            Gently touch you  [...]
05.21.05
The Exotic Moods of Les Baxter
Memory of silt and blush.
A no-touch Ikebana arranges the river’s first thought.
This is how the Jade Fable ends.  [...]
05.07.05
Robert Creeley: In Memoriam
May 21, 1926–March 30, 2005
Lots of laughter
Before and after. Every meeting
Rhymed and fluttered into meter.
The beat was the message. [...]
04.27.05
Three Poems
I leave with that voice? In Austria the alps are blowing 
with bedsheets. The innkeeper sings my child, my child [...]
04.15.05
From Quandaries
imprisoned on the fissure the figure considers 
the fossils in the rock between the figure and the arrested  [...]
03.10.05
Four Poems
an eternity of New Wave 
Fridays, of the one perfect 

airplane haunting the tinsel 
town machinery undone  [...]
02.23.05
how human nouns
gone unnoticed the inevitable protagonists accrue 

fragile centipede working rot into unreliable endnotes  [...]
02.11.05
Scavenger’s Daughter
I would walk a tightrope for you

enter on entropy the balled up  [...]
01.13.05
Stations
 First, Audrey is in the garden. She will be there in the end. [...]
01.05.05
IS EE YO UA RE
Ibak is my name.

It doesn’t mean anything. [...]

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In Print

Vol. 74
Grendel’s Kin: The Monsters Issue
Spring 2020
Edited by Bradford Morrow

Online

May 26, 2020
Coworkers drop me off at a cutting-edge camp for the talkative so I have people other than them to bore for two weeks such as the doorman with the bad left knee who I tell about my bad right knee as we are exiting applauding vehicles under upstate trees
May 19, 2020
As the light scanned his body, I could not tell if what was projected was what was outside, that which remained of his dynastic rule, the ruins of pillage and scorched-earth tactics from those of the north, or perhaps of his own minions; or was it some landscape of his dreams, an unfolding of what would come, the ruins that lay waiting deep in the tenses of the future, where the springs would be clouded with matter, the earth pocked and scabrous, mucosa and serum streaked.
May 13, 2020
It is contested territory. Right now she has two thick horns atop it. Dying can turn the most flamboyant into their most feared demon.

     R who works with her in the daytime puts oil (olive, coconut) on the horns, which G, who works nighttime, complains about.