 |
CONJUNCTIONS:28
Secular Psalms
Spring 1997
Edited by Bradford Morrow With a special Music Theater Portfolio, guest-edited by Thalia Field
Subscribe to Conjunctions here. Or to receive notifications of updates to the issue-in-progress, information on the themes of upcoming issues, and announcements when we post full texts from our forthcoming issue, join us on Facebook or follow us on Twitter.
* * * * * *
Maureen Howard, From ALMANAC; A Winter’s Tale
David Foster Wallace, Two
Stories
Julio Cortázar, For Listening Through Earphones
Jena Osman, The Character
Joanna Scott, Yip
Mei-mei Berssenbrugge, Kali
Mike McCormack, Dead Man’s Fuel
Susan Gevirtz, From Black Box Cutaway
Gilbert Sorrentino, Things That Have Stopped Moving
Elizabeth Willis, Without
Pity
Nathaniel Tarn, Burial Plot
Anselm Hollo, From And How On Earth
Can Xue, Homecoming
SECULAR PSALMS: MUSIC THEATER PORTFOLIO
Thalia Field, Music
Theater: Texts and Traces
Harry Partch, The Bewitched: A Ballet Satire
with an essay, A Somewhat Spoof
Robert Ashley, From Foreign Experiences
Meredith Monk, Our Lady of Late
John Moran, From Everyday Newt Burman
Alice Farley and Henry Threadgill, Erotec [the human
life of machines]: An Interview (with Thalia Field
and Bradford Morrow)
Ann T. Greene and Leroy Jenkins, From The Negros Burial Ground
Ruth E. Margraff, From Wallpaper Psalm (an electric
& hysteric operetta)
Yasunao Tone, Geography and Music
Neil Bartlett and Nicolas Bloomfield, From Lady Into Fox
Jeffrey Eugenides, Timeshare
Stephen Dixon, The Burial
Barbara Guest, Confession of My Images
Joyce Carol Oates, From The
Negro Lover
Jackson Mac Low, Instructing the Devouring Locust
Paul West, The Pure, Scalding Light ofTombstone, 1881
Toby Olson, Chihuahua
Robert Kelly, The
Berlin Sonnets
Mary Caponegro, From Doubt Uncertainty Possibility
Desire
|