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CONJUNCTIONS:32 Spring 1999 |
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Drawn & Quartered Robert Creeley and Archie Rand
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How it did still amazes me. I knew Archie had brought with him the litho sheets with the fifty-four drawings. I had tried a few brief quatrains to see how that form might work in context with the xeroxed images he'd sent me earlier. But when we went into a back room at the museum, and Archie took out the litho sheets and asked if I might try to do a text for each image there and then, I was intimidated, not to say, shocked. Still I said I'd try, and so we set out. The procedure was for Archie to slide me an image on the litho paper. I'd try a take or two to get the feel, writing on a usual sheet of typing paper, then resolve on a particular quatrain, put it with the litho sheet related -- and on to the next. So we worked thorugh the afternoon until, finally, all fifty-four poems were finished. Then I copied each poem under its respective image on the litho sheet. I recall we pretty much closed up the place -- as 'twere in dream! I felt as if I had been in some fantastic traffic of narratives, all the echoes and presences and situations -- like very real life indeed. I loved the almost baroque feel of the drawings, the echo of old-time illustrations and children's books. Whatever, Archie's sure got me. The rest you can judge for yourself. Robert Creeley Click on the lines below to see one of the collaborations between Rand and Creeley to appear in Conjunctions:32, Eye to Eye. Four additional collaborations, along with these, are available in the print issue of the magazine. Dear Cat What will you shoot with that? Angel Let me try that too It was still in front of them
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