News and Events

See all News and Events

Conjunctions:70 Launch Reading with Madeline Kearin, Maria Lioutaia, Kyra Simone, and Alexandra Kleeman
KGB Bar celebrates the release of Conjunctions’ spring Sanctuary issue
Wednesday, June 27, 2018
7:00 pm – 9:00 pm
KGB Bar, 85 East 4th Street, New York, NY 10003

Conjunctions celebrates the release of its spring issue, Conjunctions:70, Sanctuary: The Preservation Issue, with a reading by contributors Madeline Kearin, Maria Lioutaia, and Kyra Simone, and an introduction by longtime Conjunctions contributor Alexandra Kleeman, at KGB Bar (85 East 4th Street, NYC). Copies of the issue will be available for sale and signing. The event is 21+, with a 1–2 drink minimum; seating is first come, first served.

Madeline Kearin’s debut literary publication, “Fallout,” appeared in Conjunctions:67, Other Aliens, and her contribution to this issue, “Kirkbride,” is her second appearance in the journal. Maria Lioutaia’s contribution to the issue, “Potatoes,” marks her first appearance in print. Kyra Simone, whose work has been anthologized in Best American Experimental Writing, will read from “Palace of Rubble.” Her “Seven Stories from the Palace of Rubble” appeared in Conjunctions:56, Terra Incognita.

The literary journal Conjunctions, edited by novelist Bradford Morrow and published by Bard College, has been a living notebook for provocative, risk-taking, rigorously composed fiction, poetry, and narrative nonfiction since 1981. As PEN American Center has it: “Conjunctions is one of our most distinctive and valuable literary magazines: innovative, daring, indispensable, and beautiful.”

In addition to work by the readers, the Sanctuary issue includes contributions by Diane Ackerman, Heather Altfeld, Rae Armantrout, Mary Jo Bang, Mauro Javier Cardenas, J’Lyn Chapman, Julia Elliott, Andrew Ervin, William Gaddis, Peter Gizzi, Rae Gouirand, Robin Hemley, Troy Jollimore, Robert Karron, Marshall Klimasewiski, Byron Landry, Nam Le, Andrew Mossin, Debra Nystrom, Toby Olson, Peter Orner, Richard Powers, Jessica Reed, Donald Revell, Elizabeth Robinson, Joanna Ruocco, Erin Singer, Maya Sonenberg, Donna Stonecipher, Arthur Sze, S. P. Tenhoff, Daniel Torday, and Frederic Tuten.
 
ABOUT THE AUTHORS

Madeline Kearin is a writer and PhD candidate at Brown University. Her stories draw partly from her experience as an archaeologist working on historical sites in New York and New England. Her current project examines the construction and administration of insane asylums as therapeutic environments in the 19th century. Her first literary publication, “Fallout,” appeared in Conjunctions:67, Other Aliens.

Maria Lioutaia was born in Russia, grew up in Canada, and now lives in New York. She is an MFA candidate in creative writing at NYU, where she is a Goldwater Fellow. Her contribution to Conjunctions:70, Sanctuary: The Preservation Issue is her first appearance in print.

Kyra Simone is a writer and editor based in Brooklyn. Her work has appeared or is forthcoming in Conjunctions, the Atlas Review, Black Clock, the Brooklyn Rail, Little Star, Prelude, Vestiges, and the Best American Experimental Writing anthologyamong other journals. Originally from Los Angeles, she is a member of the editorial collective at Ugly Duckling Presse, and she works as an associate editor at Zone Books.

Alexandra Kleeman is a Staten Island-based writer of fiction and nonfiction, and the winner of the 2016 Bard Fiction Prize. Her work has received scholarships and grants from Bread Loaf, the Virginia Center for the Creative Arts, Santa Fe Art Institute, and ArtFarm Nebraska. She is the author of the debut novel You Too Can Have a Body Like Mine and Intimations (both Harper), a short story collection.

Contact: Nicole Nyhan, conjunctions@bard.edu, 845-758-7054
http://www.conjunctions.com

Connect

e-mail
Submissions

In Print

Vol. 71
A Cabinet of Curiosity
Fall 2018
Edited by Bradford Morrow

Online

January 15, 2019
Outside the stars were fading and the sky was slowly rosying at the edges when we found the skeleton. At first it was visible only as a clutch of white daggers, thickly clotted with spiderwebs, compressed between the plaster wall and the heavy wooden timbers. I don’t know what I expected it to be.
January 8, 2019
On the bus, we were told to remember everything, to testify, testify, testify. We’d heard this many times before. Remember and testify, they would say, in order that this or that bad thing does not happen again. I harbored no such faith in remembering. Nor in testimony. I fail to believe in them still.
January 1, 2019
Someone shouted at me to grab a blanket or a coat or something for crissakes, the narrator of The Bystander says, and wrap your old man up, because after assaulting the woman the narrator’s father liked best, and after running out with nothing on but the soap from the bath he’d been taking with her, the narrator’s father is standing on the street, shouting imprecations at her,
advertisement
advertisement