The award-winning author of The Boy Who Went Away, Now You See Him, and The Face Thief reads from Best Boy, his new novel about autism, memory, and redemption.
A short documentary film featuring Gottlieb's brother, the model for the protagonist of Best Boy, will be screened at the start of the reading.
Introduced by Bradford Morrow and followed by a Q&A, the event takes place at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, and is free and open to the public; no tickets or reservations are required.
PRAISE FOR BEST BOY
“Raw and beautiful with a mesmerizingly rhythmic narration. What rises and shines from the page is Todd Aaron, a hero of such singular character and clear spirit that you will follow him anywhere. You won’t just root for him, you will fight and push and pray for him to wrest control of his future. You will read this book in one sitting or maybe two, and you will miss this man deeply when you are done.” —Washington Post
“Fascinating. Gottlieb's imaginings of what's going on in the mind of an adult living somewhere on the autism spectrum feel credible and real. Lyrical.” —Chicago Tribune
“I've fallen in love with Best Boy, touched by its delicacy and fearless truths.” —Cynthia Ozick
“Arresting. The book’s empathy is bracing.” —New Yorker
“An eloquent, sensitive rendering of a marginalized life. Gottlieb merits praise for both the endearing eloquence of Todd's voice and a deeply sympathetic parable that speaks to a time when rising autism rates and long-lived elders force many to weigh tough options.” —Kirkus Reviews, Starred Review
“The latest from Gottlieb is written through the perspective of Todd: his voice is spectacular, oscillating between casual and obsessive and frequently challenging the stereotypes that haunt those with autism and similar conditions. Gottlieb’s attention to crafting Todd’s internal monologue is something to behold.” —Publishers Weekly, Starred Review
“Best Boy is a remarkable achievement—an intimate and convincing portrayal of what the world looks like from inside the mind of a mentally handicapped but unusually sensitive, observant, and decent man.” —Alison Lurie
Grendel’s Kin: The Monsters Issue
Edited by Bradford Morrow
Edited by Bradford Morrow
by Ben Miller
May 26, 2020
Coworkers drop me off at a cutting-edge camp for the talkative so I have people other than them to bore for two weeks such as the doorman with the bad left knee who I tell about my bad right knee as we are exiting applauding vehicles under upstate trees
May 19, 2020
As the light scanned his body, I could not tell if what was projected was what was outside, that which remained of his dynastic rule, the ruins of pillage and scorched-earth tactics from those of the north, or perhaps of his own minions; or was it some landscape of his dreams, an unfolding of what would come, the ruins that lay waiting deep in the tenses of the future, where the springs would be clouded with matter, the earth pocked and scabrous, mucosa and serum streaked.