News and Events

See all News and Events

A Reading & Film Screening by Eli Gottlieb
Monday, April 18, 2016
2:30 pm – 3:45 pm
Campus Center, Weis Cinema
 [A Reading & Film Screening by Eli Gottlieb] The award-winning author of The Boy Who Went Away, Now You See Him, and The Face Thief reads from Best Boy, his new novel about autism, memory, and redemption.

A short documentary film featuring Gottlieb's brother, the model for the protagonist of Best Boy, will be screened at the start of the reading.

Introduced by Bradford Morrow and followed by a Q&A, the event takes place at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, and is free and open to the public; no tickets or reservations are required.

PRAISE FOR BEST BOY

“Raw and beautiful with a mesmerizingly rhythmic narration. What rises and shines from the page is Todd Aaron, a hero of such singular character and clear spirit that you will follow him anywhere. You won’t just root for him, you will fight and push and pray for him to wrest control of his future. You will read this book in one sitting or maybe two, and you will miss this man deeply when you are done.” —Washington Post

“Fascinating. Gottlieb's imaginings of what's going on in the mind of an adult living somewhere on the autism spectrum feel credible and real. Lyrical.” —Chicago Tribune

“I've fallen in love with Best Boy, touched by its delicacy and fearless truths.” —Cynthia Ozick

“Arresting. The book’s empathy is bracing.” —New Yorker

“An eloquent, sensitive rendering of a marginalized life. Gottlieb merits praise for both the endearing eloquence of Todd's voice and a deeply sympathetic parable that speaks to a time when rising autism rates and long-lived elders force many to weigh tough options.” —Kirkus Reviews, Starred Review

“The latest from Gottlieb is written through the perspective of Todd: his voice is spectacular, oscillating between casual and obsessive and frequently challenging the stereotypes that haunt those with autism and similar conditions. Gottlieb’s attention to crafting Todd’s internal monologue is something to behold.” —Publishers Weekly, Starred Review

Best Boy is a remarkable achievement—an intimate and convincing portrayal of what the world looks like from inside the mind of a mentally handicapped but unusually sensitive, observant, and decent man.” —Alison Lurie

Contact: Micaela Morrissette, mmorriss@bard.edu, 845-758-7054
http://www.eligottlieb.com/

Connect

e-mail
Submissions

In Print

Vol. 68
Inside Out: Architectures of Experience
Spring 2017
Edited by Bradford Morrow

Online

August 15, 2017
He ties a bell to her ankle, but she removes it in her sleep. He ties one of her wrists to the bed frame with twine, but she loosens the knot with the other hand and slips out. That night she wakes upside down, slung over his shoulder.
August 8, 2017
A dancer dragging her arms across the stage, slapping feet through a watery pool
            panting from a bent body
August 1, 2017
One: he must leave at night. Two: he must come back the next day immediately after dark. And three: he couldn’t tell anyone where he worked, couldn’t discuss what happened in the prison at all.
advertisement
advertisement
The fourth reading in the Cities Series, presented by Conjunctions and the Bard Office of Alumni/ae Affairs, takes place at Myopic Books in Chicago
Saturday, August 26, 2017
7:00 pm
Myopic Books, 1564 N. Milwaukee Ave., Wicker Park, Chicago