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A Reading by Rick Moody
Monday, April 4, 2016
2:30 pm – 3:45 pm
Campus Center, Weis Cinema
 [A Reading by Rick Moody] The celebrated author of Garden State, The Ice Storm, The Ring of Brightest Angels Around Heaven, Purple America, The Black Veil: A Memoir with Digressions, and other books reads from his new novel, Hotels of North America.

Introduced by Bradford Morrow and followed by a Q&A, the reading takes place at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, and is free and open to the public; no tickets or reservations are required.

"Rick Moody is one of the most prodigiously talented writers in America." – Wall Street Journal

"Moody is a stylishly clever writer." —Time

"Rick Moody writes exquisite, word-smitten prose." —Elle

"Entertaining and often poignant, Rick Moody probes the limits of technology, consciousness, and language in the face of grief." – The New Yorker

"Moody’s powers of invention, his ease in his own prose, his ability to develop interesting characters — in short, his enormous gifts as a writer — are on full display." – New York Times Book Review
 

Contact: Micaela Morrissette, mmorriss@bard.edu, 845-758-7054
http://www.rickmoodybooks.com/

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In Print

Vol. 73
Earth Elegies
Fall 2019
Edited by Bradford Morrow

Online

December 10, 2019
It is nearly one thirty, lunch is over, and I am waiting for the afternoon mail. It is what I have to look forward to, the mail, the UPS box delivered to my cubicle each day. I do not have plans once the mail has arrived.
A Selected Text from Conjunctions:73, Earth Elegies
December 6, 2019
Where nostalgia is the pain arising from moving away from a loved place, solastalgia occurs without you going anywhere; it is the landscape that “leaves” from around you. The last decade—and especially the last two or three years—have seen an intensification and a globalization of this distinctive Anthropocene effect
A Selected Text from Conjunctions:73, Earth Elegies
November 29, 2019
Kintsugi, an ancient Japanese art form, entails repairing cracked pottery by reattaching the shards with gold lacquer powder mixed with the adhesive. This is done so that a warm glow appears to radiate from the jagged tracery made by the fractures between the glued parts, emphasizing the “scars” that define a critical moment in the history of the pottery piece.
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Monday, March 2, 2020
2:30 pm – 3:30 pm
Campus Center, Weis Cinema