Contributors

Quintan Ana Wikswo
Contributor History

Biography
Quintan Ana Wikswo (@QuintanWikswo) has long been active at the intersection of art and social justice. Her conceptually based interdisciplinary work integrates fiction, poetry, memoir, and essay with her original photographs, performance, and video. A former human-rights worker, she uses salvaged government typewriters and cameras to navigate known, unknown, obscured, and occluded worlds where crimes against humanity have taken place and whose complex histories involve the intersection of gender, disability, queerness, and race, with a special focus on human-rights aftermath issues. Inhabiting the intersections of sexuality / gender, warfare / power, and mythology / shamanism, she creates sites for investigation of existential questions about humanity, our societies, and how we can navigate beyond the boundaries that contain us. Her several books include the acclaimed collection of photographs and stories The Hope Of Floating Has Carried Us This Far (Coffee House Press). She has presented multiple live performance works and solo museum shows in New York City, the Berlin Jewish Museum, and elsewhere. Her work has appeared several times in Conjunctions’ online magazine.

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Submissions

In Print

Vol. 68
Inside Out: Architectures of Experience
Spring 2017
Edited by Bradford Morrow

Online

October 17, 2017
Cycles of sleep and waking. Birds migrating from cold region to warm. The rate of polar ice melting. Or the beat of iambs or the subtler pulse of prose.
October 10, 2017
Let me say this one thing, that the meteor is a woman of varying biologies and the crocuses are rising up. In only three words I can convey a schism: x, y, z. Insert here for pleasure.
October 3, 2017
Here is Pitkin Plaza, three boys
sharing a cigarette, antibodies
bound to platelets that fuzzed-out guitars
in headphones eliminate.
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The celebrated author reads from The Zookeeper’s Wife
Monday, October 30, 2017
2:30 pm
Campus Center, Weis Cinema