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Meredith Stricker
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Meredith Stricker
Meredith Stricker is a visual artist and poet working in cross-genre media. She is the author of five books of poetry, most recently Our Animal (Omnidawn Open Book Prize) and Anemochore (Newfound Press). She co-directs visual poetry studio, a collaborative that focuses on architecture in Big Sur, California and projects to bring together artists, writers, musicians and experimental forms.

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In Print

Vol. 75
Dispatches from Solitude
Fall 2020
Edited by Bradford Morrow

Online

November 25, 2020
The smell was profound, suffocating, singular. My skin and clothes stank until I washed them; I had to stop at a gas station and wet my shoes under a faucet and scrub them with disintegrating Kleenex because the smell hung so potently in my car. It was dead fish and bird droppings and the bottom edge of a body of water, brought to the light and baked too hot. I once visited a blooming corpse flower at the Huntington and it smelled alive, at least. This was death of a hundred kinds braided together.
November 18, 2020
Where there is no fact, there can be no consolation. 

We chose to be plural in the presumed grace of what

is presumed to be moving in the dark. 
November 11, 2020
You, Shtuli, went to a school and sang a few songs.
            The children, with skybright eyes, listened rapt, their mouths hanging moistly open.

Strumming my balalaika, I, Shtuli, sang.

Shtuli, you asked Asfalyi, your child, to come to a noisejazz concert with you.
            “I’d rather stay home and read my grimoire tonight, to be honest, Boombi,” Asfalyi said.
            “That’s all right,” you gloomily said. “I’ll go by myself.”
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