Contributors

Max Frisch
Contributor History

Biography
Max Frisch (1911–1991) was one of the preeminent literary voices of postwar twentieth-century Europe. In a style that mingled irony with lyricism, he explored the nature of identity and issues of moral responsibility, both individual and collective. Born in Zürich, he traveled widely, living in Switzerland, Rome, Berlin, and New York. His novels include I’m Not Stiller (1954), Homo Faber (1957), and Man in the Holocene (1980), which The New York Times called “a luminous parable” and “a masterpiece.” His plays include The Firebugs (1958) and Andorra (1961). Max Frisch’s journal from his military service in the Swiss Army, Blätter aus dem Brotsack or Pages from My Knapsack (1940), was his first published book of nonfiction. Two other journals, Sketchbook 1946–1949 and Sketchbook 1964–1971, appeared during his lifetime.

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In Print

Vol. 71
A Cabinet of Curiosity
Fall 2018
Edited by Bradford Morrow

Online

January 15, 2019
Outside the stars were fading and the sky was slowly rosying at the edges when we found the skeleton. At first it was visible only as a clutch of white daggers, thickly clotted with spiderwebs, compressed between the plaster wall and the heavy wooden timbers. I don’t know what I expected it to be.
January 8, 2019
On the bus, we were told to remember everything, to testify, testify, testify. We’d heard this many times before. Remember and testify, they would say, in order that this or that bad thing does not happen again. I harbored no such faith in remembering. Nor in testimony. I fail to believe in them still.
January 1, 2019
Someone shouted at me to grab a blanket or a coat or something for crissakes, the narrator of The Bystander says, and wrap your old man up, because after assaulting the woman the narrator’s father liked best, and after running out with nothing on but the soap from the bath he’d been taking with her, the narrator’s father is standing on the street, shouting imprecations at her,
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